Paul: Photo John Tate

Paul Johnson

Electric & Acoustic Guitars & Vocals

"So what's an old punk rocker doing playing in a band like this?"

I actually think that punk and especially post-punk music, which I grew up with through my most impressionable years, was and is very close to the ideals of folk. They seem to meet here.  Punk and post-punk artists wrote songs about how they felt at the time - seeing the changing times and the political injustices at that time. (As well as many, many nonsense songs!)

I was born and grew up on a council estate, and went to a rough comprehensive school in Rainham Kent. It came to ‘option’ time to choose my CSE’S - I went for Music and Drama because I had a strong interest, and I thought they would be a good doss! There were only three of us in the music course, and the head of music of the school taught us at the time. He was always too busy to be bothered with the three of us. He just left us to play musical instruments, guitars, pianos school drums and records! Cool I thought, until he left and we got a new head of music and he thought we knew much more than we did! He also soon realised we were a lost cause and also left us to our own devices.

After getting chucked out of my piano lessons for not practising what I was told to (sorry to waste all that money mum) I got my first electric guitar when I was 12. I just took this to school and locked myself in one of the small practice rooms in the music block. My father had an amplifier made for me by my uncle, it was a small box and was about 5 watts power, and had one input, a volume and tone! The great thing about this little box was that if I turned it up it distorted!

The music around me at the time was - The Clash, Stiff Little Fingers, Chelsea, The Undertones, Stranglers, Sex Pistols etc! I played in many punk bands in and around Medway, and also during my year in Plymouth (which is all a bit of a blur! I was drunk/stoned most of the time). When I returned, I started playing with my long term friend and drummer, Andy Baker.

Around this time we recorded some punky songs in our friend Mac’s flat in Croydon above a Kentucky Fried Chicken, on a four-track recorder! In the evening we went to what was then called ‘The Underground Club’ and saw a brilliant band called ‘The Folk Devils’ - this band got me thinking!

When I met my partner she introduced me to New Model Army, and 999, (The Pogues and Oysterband and The Men They Couldn’t Hang were also around at this time) and then Fairport Convention, Steeleye Span, The Dubliners - these bands affected me deeply! I remember going to see New Model Army at Brixton and The Levellers were the support band. I thought they were brilliant. We still love these bands now! (Strange though; we never thought that we would record our albums at The Levellers’ own studio in Brighton)

The first folk song that I wrote was when I was playing with my post-punk three-piece called ‘In Our blood’. I saw Mike Harding on TV one night, singing and playing his guitar. At the same time Billy Bragg was doing the rounds. After seeing these excellent talents I was inspired to write folk/folk-esque songs. I soon realised also that if I stripped down the punk/post-punk songs I had written, they would, or certainly could, work as great folk songs once they were in their purest form.

So my first concerted effort to write  a 'folky' sounding song from scratch, was a song I wrote about World War Two Lancaster bomber pilots called ‘Bombers Moon’ The song had a great haunting feel to it. Shortly after the collapse of 'In Our Blood' I formed Folk/Rock/Celtic/Punky band ‘Prides Purge’, with Andy on drums again, and also with Ted Can't Hear Ya's former member and old friend - Tim Sumner, on fiddle. We all got in to playing punky folk stuff similar to the Levellers around 1992/93. After two stressful and hectic years 'Prides Purge' we split, but I found I felt comfortable and excited about this sort of sound.

I formed Ted Can't Hear Ya' a couple of years after this; although I had vowed not to be involved in such a potentially big band again. But after all these years, it has become blatantly obvious to me that music and folk/folk-rock/punk runs deep in my veins - why?  I can't explain; but I do know that I simply couldn't live without playing and writing songs. 

It’s a communication thing - I love communicating with people through our music and songs. Whilst paying homage to the thousands of hugely talented artist that have done this before me, and still do it.  Some of whom I have been lucky enough to have interviewed over my radio broadcasting career and for www.folking.com and ! hope to continue to do so! I also hope that this tradition continues; through my daughters and their children’s children! 

Seven years on, and one line-up change later - I love what we do in 'Ted Can't Hear Ya' - we all do, and we hope that you the audience enjoy our music as much as we enjoy playing it! I am so lucky that I still find writing and performing songs as inspiring and enjoyable as I ever did - long may it continue!

Thank you for reading this - I hope you are still awake!

 Paul
 

Copyright © 2008
Content: Ted Can't Hear Ya ~ Photos: Original Photographers